A zine is a handmade magazine or mini-comic about anything you can imagine: favorite bands, personal stories, subcultures, or collections. They contain diary entries, rants, interviews, and stories. They can be by one person or many, found in stores, traded at comic conventions, exchanged with friends, or given away for free. Zines are not a new idea: they've been around for years under various names (chapbooks, flyers, pamphlets). People with independent ideas have been getting theirword out since before there were printing presses. This book is for anyone who wants to create their own zine. It's for learning tips and tricks from contributors who have been at the fore front of the zine movement. It's for getting inspired to put thoughts and ideas down on paper. It's for learning how to design and print your own zine so you can put it in others' hands. Whatcha Mean, What's a Zine? is for anyone who has something to say.

Cultural Studies. Literary Criticsm. In the past two decades a quiet revolution has gained force: over 50,000 zines (independent, not-for-profit self-publications) have emerged and spread, often with little publicity. Flaunting off-beat interests, extreme personal revelations and social activism, zines directly counter the psudo-communication and glossy lies of the mainstream media monopoly. These interviews capture all the excitement associated with uncensored freedom of expression, while offering insight, inspiration, and delight.

A scrapbook of artwork, humorous writing, and articles culled from the nation's zines--underground magazines produced by individuals and small publishers--includes off-the-wall tips on dating and reviews of grotesque products.

Zines are the maverick inhabitants of publishing's Wild West, where the obsessional, the idiosyncratic and the wilfully obscure roam free across pages unbounded by the constraints of mainstream agendas. This book offers a highly-visual analysis of this phenomenon, assembled with expert fanaticism by the team of Pop theorists who created Highflyers and Scrawl. It showcases a huge, international range of current zines, put into context by historical examples from the hoardings of die-hard collectors.

Social networks are dominating today s headlines, but they are not the only platforms that are radically changing the way we communicate. Creatives such as designers, photographers, artists, researchers, and poets are disseminating information about themselves and their favorite subjects not via predefined media such as Twitter or blogs, but through printed or other self-published projects so-called zines. Those who publish zines are mostly interested in sole authorship, namely that all components including text, images, layout, typography, production, and distribution are firmly in the hands of one person or a small group. At their best, the results convey a compelling and consistent atmosphere and push against the established creative grain in just the right way. They provoke with surprising and non-linear food for thought. In short, zines are advancing the evolution of today s media. With a cutting-edge selection of international examples, Behind the Zines introduces the broad range of zines that exists today. These include zines that function as a new kind of project-oriented portfolio to showcase a self-profile or document an exhibit. While some act as (pseudo) scientific treatises to call the reader s attention to a specific topic, others serve as playrooms for creatives to run riot and express themselves and communicate with each other in a space that is free from editorial restrictions. The book examines the key factors that distinguish various zines. It introduces projects in which the printing process significantly influences aesthetics or in which limited distribution to a small, clearly defined target audience becomes part of the overall concept. Behind the Zines not only documents outstanding work, but also shows how the self-image of those who make zines impacts the scene as a whole. Through interviews with people involved in zine production and distribution, the book sheds light on various strategies for this evolving media form.

Zines, those hip, alternative, self-published magazines, have broken out from the obscurity of the underground and found themselves in the spotlight. Zealous readers are turning to zines for smart writing on everything from cutting-edge music to radical politics. With all that's been said about zines, one question still remains: Where the heck can you find them? And even if you dig them up, who has time to read through them all to get to the good stuff? R. Seth Friedman, super zine sleuth and the head honcho at Factsheet Five magazine, does. Culled from thousands upon thousands of zines, this book features seventy of the best stories, essays, and rants that have appeared over the past few years. These selections are intensely personal, unconventional, and sometimes completely out of this world. More than just a simple anthology, The Factsheet Five Zine Reader includes original art and covers from the zines, descriptions and histories of the zines, and complete ordering information so you can start exploring this exciting new world on your own.

This first comprehensive study of zine publishing uncovers the compelling story of the movement. From their origins in early 20th century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock, Stephen Duncombe pays full due to the political importance of zines as a vital network of popular culture. Packed with extracts and illustrations, this is a useful overview of the contemporary underground in all its splendour.